Join us on Sunday, April 23, 2017

A perfect blend of sound, precision, lightness and wit. These are the hallmarks of Calmus, now one of the most successful vocal groups in Germany. The ensemble has forged a refined sound which few groups achieve. The wide range of sound colors, the joy in performing that musicians convey on the concert platform, and their varied and imaginative programs are praised by the press time and time again. These five Leipzig musicians have won a whole string of international prizes and competitions, including the ECHO Klassik and Supersonic Award, and the reach of their activities is constantly expanding, taking them throughout Europe as well as to North and South America. In 2010 the quintet made its debut at Carnegie Hall, New York.

The musicians are tireless in their quest to discover new repertoire. Shaped by the centuries-old tradition of great German boys’ choirs, they are naturally at home in the vocal music of the Renaissance, the Baroque and the Romantic. The music of our own time is also a real passion. In all their ventures, there are frequently interesting partnerships with musicians such as the Lautten Compagney Berlin, the Raschèr Saxophone Quartet, Hamburger Ratsmusik and the Frankfurt Radio Bigband. As this often means totally new repertoire in the area of contemporary music, over the years Calmus has commissioned numerous new works from composers including Bernd Franke, Steffen Schleiermacher, Wolfram Buchenberg, Mathew Rosenblum, Bill Dobbins, Michael Denhoff and Harald Banter, and the group has given many world premieres. It goes without saying that they revel in singing pop, folk and jazz, as well as chansons and golden oldies from the 1920s.

Part of their work is devoted to encouraging the up-and-coming generation, so teaching and workshops are part of their regular schedule, both at home in Leipzig and on their travels. It’s no wonder that Calmus, with its unique line-up of soprano, countertenor, tenor, baritone and bass, is gaining more and more fans worldwide.

Join us on Sunday, February 26, 2017

One of the most exciting new ensembles to emerge in today’s music scene, “Les Amies” is the collaboration of three well established, highly esteemed, and much loved artists. New York Philharmonic Principal Players Nancy Allen, harp, and Cynthia Phelps, viola, join internationally renowned flutist Carol Wincenc to form one of the most dynamic trios that this particular instrumental combination can produce. Merging their individual skills of high artistry and extraordinary technical command, they explore a vast range of repertoire rich in color, texture and imagination. Each of these artists stand alone at the top of their field, winning first prizes in such competitions as the Naumburg, Israel International Harp Competition, Lionel Tertis International Viola Competition, Concert Artists Guild and Pro Musicis. As soloists, they have been featured with the symphony orchestras of Chicago, New York, London, St. Louis, Detroit, Pittsburgh, Atlanta, Minnesota and Hong Kong, as well as the chamber orchestras of England, St. Paul, Los Angeles and Orpheus.

All have performed, toured, or recorded with some of today’s most esteemed chamber groups, such as the Guarneri, Tokyo, and Emerson String Quartets, and The Chamber Music Society of Lincoln Center, where they have also been seen and heard on “Great Performers of Lincoln Center Live”. They appear regularly in today’s top chamber music festivals including Aspen, Marlboro, Santa Fe, La Jolla, Mostly Mozart, Vail, Portland, Seattle and Music from Menlo.

Championing new music has been a priority for these artists; collectively they have commissioned works from the composers Lucas Foss, Joan Tower, Christopher Rouse, Peter Schickele, George Rochberg, Stephen Paulus, and Sofia Guibaidulina, among many others. Their representation on disc includes the recording labels of Deutsche Gramaphone, Telarc, Decca, Arabesque, Naxos, Virgin and Cala records.

As the name “Les Amies” suggests, they are long-time colleagues, and revel in the glory of their blossoming relationship as artists, bringing to their audiences the color and beauty of this unusual trio combination of flute, viola and harp.

Join us on Sunday, January 22, 2017

The Aeolus Quartet is committed to presenting time-seasoned masterworks and new cutting-edge works to widely diverse audiences with equal freshness, dedication, and fervor. Violinists Nicholas Tavani and Rachel Shapiro, violist Gregory Luce, and cellist Alan Richardson formed the Aeolus Quartet in 2008 at the Cleveland Institute of Music. Since its inception, the all-American quartet has been awarded prizes at nearly every major competition in the United States and performed across the globe. They were the 2013-2015 Graduate Resident String Quartet at the Juilliard School, and they currently make their home in New York City.

The Aeolus Quartet are Grand Prizewinners of the 2011 Plowman Chamber Music Competition and 2011 Chamber Music Yellow Springs Competition. They were awarded First Prize at the 2009 Coleman International Chamber Ensemble Competition, a Silver Medal at the 2011 Fischoff International Chamber Music Competition, and a Bronze Medal at the 2010 International Chamber Music Ensemble Competition in New England. The 16th Annual Austin Critics’ Table named the Aeolus Quartet their 2010-2011 “Best Ensemble.” The Aeolus Quartet has released two critically acclaimed albums of classical and contemporary works through the Longhorn/Naxos label which are available on iTunes, Amazon, and major retailers worldwide.

The Quartet has performed across North America, Europe, and Asia in venues such as Weill Recital Hall at Carnegie Hall, Reinberger Recital Hall at Severance Hall, Merkin Hall, The Library of Congress, Renwick Gallery, St. Martin-in-the-Fields, and the Shanghai Oriental Arts Center.