Since its inception, the Orion Quartet has been consistently praised for the extraordinary musical integrity it brings to performances, offering diverse programs that juxtapose classic works of the standard quartet literature with masterworks by twentieth and twenty-first century composers. The Quartet remains on the cutting edge of programming with wide-ranging commissions from composers Chick Corea, Brett Dean, David Del Tredici, Alexander Goehr, Thierry Lancino, John Harbison, Leon Kirchner, Marc Neikrug, Lowell Liebermann, Peter Lieberson and Wynton Marsalis, and enjoys a creative partnership with the Bill T. Jones/Arnie Zane Dance Company. The members of the Orion String Quartet—violinists Daniel Phillips and Todd Phillips (brothers who share the first violin chair equally), violist Steven Tenenbom and cellist Timothy Eddy—have worked closely with such legendary figures as Pablo Casals, Sir András Schiff, Rudolf Serkin, Isaac Stern, Pinchas Zukerman, Peter Serkin, members of TASHI and the Beaux Arts Trio, as well as the Budapest, Végh, Galimir and Guarneri String Quartets. The Orions serve as Artist Members of the Chamber Music Society of Lincoln Center and Quartet-in-Residence at New York’s Mannes School of Music, where they are featured in a four-concert series each year.

The 2016-17 season also brings the Orion Quartet’s return to the Chamber Music Society of Lincoln Center for programs of Haydn and Bach, and of Puccini, Hugo Wolf and Giovanni Rota, which CMS LC also presents at Hugh Hodgson Concert Hall in Athens, Georgia. Soprano Tony Arnold joins the Orion at Washington, DC’s Library of Congress for Schoenberg’s String Quartet No. 2 and Brett Dean’s Quartet No. 2 “And once I played Ophelia.” New School Concerts presents the Orion twice, first in collaboration with the Dover Quartet in Mendelssohn’s Octet and Mozart’s Viola Quintet K. 516, and then in Haydn’s The Seven Last Words of Christ. The Quartet is also being presented by the Philadelphia Chamber Music Society at Benjamin Franklin Hall, and by the Chamber Music Society of Westchester. The Orion concludes the season with their annual return to the Santa Fe Chamber Music Festival, where they have become distinguished for commissions of unusual works by major composers.

The ensemble celebrated its 25th anniversary in the 2012-2013 season with a collaboration involving the Bill T. Jones/Arnie Zane Dance Company at New York City’s Joyce Theater, for a special two-week project which featured music by Mozart, Mendelssohn, Ravel and Schubert, plus a specially commissioned Beethoven arrangement. WQXR’s The Greene Space presented a live-broadcast of the collaboration, including a performance and a conversation with the Quartet and Bill T. Jones.

Heard often on National Public Radio’s Performance Today, the Orion has also appeared on PBS’s Live from Lincoln Center, A&E’s Breakfast with the Arts, and three times on ABC-TV’s Good Morning America. Additionally, the Quartet was photographed with Drew Barrymore by Annie Leibovitz for the April 2005 issue of Vogue.

Formed in 1987, the Quartet chose its name from the Orion constellation as a metaphor for the unique personality each musician brings to the group in its collective pursuit of the highest musical ideals.

The American Brass Quintet is internationally recognized as one of the premier chamber music ensembles of our time, celebrated for peerless leadership in the brass world. As 2013 recipient of Chamber Music America’s highest honor, the Richard J. Bogomolny National Service Award for significant and lasting contributions to the field, ABQ’s rich history includes performances in Asia, Australia, Central and South America, Europe, the Middle East and all fifty of the United States; a discography of nearly sixty recordings; and the premieres of over one hundred fifty contemporary brass works.

ABQ commissions by Robert Beaser, William Bolcom, Elliott Carter, Eric Ewazen, Anthony Plog, Huang Ruo, David Sampson, Gunther Schuller, William Schuman, Joan Tower, and Charles Whittenberg, among many others, are considered significant contributions to contemporary chamber music and the foundation of the modern brass quintet repertoire. The ABQ’s Emerging Composer Commissioning program has brought forth brass quintets by Gordon Beeferman, Jay Greenberg, Trevor Gureckis, and Shafer Mahoney. Among the quintet’s recordings are eleven CDs for Summit Records since 1992 including the ABQ’s 50th release State of the Art—The ABQ at 50 featuring recent works written for them.

Committed to the promotion of brass chamber music through education, the American Brass Quintet has been in residence at The Juilliard School since 1987 and the Aspen Music Festival since 1970. Since 2000 the ABQ has offered its expertise in chamber music performance and training with a program of mini-residencies as part of its regular touring. Designed to offer young groups and individuals an intense chamber music experience over several days, ABQ mini-residencies have been embraced by schools and communities throughout the United States and a dozen foreign countries.

The New York Times recently wrote that “among North American brass ensembles none is more venerable than the American Brass Quintet,” while Newsweek has hailed the ensemble as “the high priests of brass” and American Record Guide has called the ABQ “of all the brass quintets, the most distinguished.” Through its acclaimed performances, diverse programming, commissioning, extensive discography and educational mission, the American Brass Quintet has created a legacy unparalleled in the brass field.

Chanticleer

Called “the world’s reigning male chorus” by the New Yorker, the San Francisco based GRAMMY® award-winning ensemble Chanticleer will celebrate its 40th Anniversary in 2018. The group’s founder, Louis A. Botto, was born in Texas and educated in San Antonio: he attended St. Anthony Academy and was a graduate of Incarnate Word College (now UIW).  So it is doubly fitting that Chanticleer is here to help us celebrate our city’s Tricentennial. During its 2017-18 Season, Chanticleer will perform 51 concerts in 21 of the United States, 27 in the San Francisco Bay Area, and 8 in Poland, Germany, France and Spain.   Praised by the San Francisco Chronicle for its “tonal luxuriance and crisply etched clarity,” Chanticleer is known around the world as “an orchestra of voices” for its seamless blend of twelve male voices ranging from soprano to bass and its original interpretations of vocal literature, from Renaissance to jazz and popular genres, as well as contemporary composition.

Chanticleer’s 2017-18 Season is the third under the direction of Music Director William Fred Scott. The Season will begin with Heart of a Soldier, featuring new compositions by Mason Bates and John Musto in a program about the art of soldiering, the pageant of war, the absurdity of battle, the loves left behind and the hope of peace.  Included are new arrangements by ensemble members Brian Hinman and Adam Ward.  Chanticleer’s popular A Chanticleer Christmas will be heard this year in Virginia, Pennsylvania, New York, Illinois and Indiana before coming home for 13 performances in the Bay Area and Southern California. A Chanticleer Christmas is broadcast annually on over 300 affiliated public radio stations nationwide. Looking back to its roots in early music and its 40 years of performing music written for the Missions of New Spain, Chanticleer offers Saints Alive in March and April in the Missions Santa Clara, Santa Cruz, San Francisco, San Jose and Sonoma.  In June, Then and There, Here and Now will take a panoramic look back at Chanticleer’s favorite composers and repertoires, along with a world premiere by Matthew Aucoin. A post-season concert on June 27, 2018, will commemorate the 40th Anniversary or the first San Francisco performance of Chanticleer in the Old Mission Dolores.

With the help of individual contributions, government, foundation and corporate support, Chanticleer’s education programs engage over 5,000 young people annually. The Louis A. Botto (LAB) Choir—an after-school honors program for high school and college students—is now in its eighth year, adding to the ongoing program of in-school clinics and workshops; Youth Choral Festivals™ in the Bay Area and around the country; Skills/LAB–an intensive summer workshop for 50 high school students; and master classes for university students nationwide.  Chanticleer’s education program was recognized with the 2010 Chorus America Education Outreach Award.

Since Chanticleer began releasing recordings in 1981, the group has sold well over a million albums and won two GRAMMY® awards. Chanticleer’s recordings are distributed by Chanticleer Records, Naxos, ArkivMusic, Amazon, and iTunes among others, and are available on Chanticleer’s website.

In 2014 Chorus America conferred the inaugural Brazeal Wayne Dennard Award on Chanticleer’s Music Director Emeritus Joseph H. Jennings to acknowledge his contribution to the African-American choral tradition during his 25-year (1983-2009) tenure as a singer and music director with Chanticleer. The hundred plus arrangements of African-American gospel, spirituals and jazz made by Jennings for Chanticleer have been given thousands of performances worldwide—live and on broadcast—and have been recorded by Chanticleer for Warner Classics and Chanticleer Records.

Chanticleer’s long-standing commitment to commissioning and performing new works was honored in 2008 by the inaugural Dale Warland/Chorus America Commissioning Award and the ASCAP/Chorus America Award for Adventurous Programming. Chanticleer has commissioned over eighty composers in their history.

Named for the “clear-singing” rooster in Geoffrey Chaucer’s Canterbury Tales, Chanticleer was founded in 1978 by tenor Louis A. Botto, who sang in the Ensemble until 1989 and served as Artistic Director until his death in 1997. Chanticleer became known first for its interpretations of Renaissance music, and was later a pioneer in the revival of the South American baroque, recording several award winning titles in that repertoire. Chanticleer was named Ensemble of the Year by Musical America in 2008, and inducted in the American Classical Music Hall of Fame the same year. William Fred Scott was named Music Director in 2014. A native of Georgia, Scott is the former Assistant Conductor to Robert Shaw at the Atlanta Symphony, former Artistic Director of the Atlanta Opera, an organist and choir director.

Rebel Baroque with Matthias Maute

Hailed by the New York Times as “Sophisticated and Beguiling” and praised by the Los Angeles Times for their “astonishingly vital music-making,” the award-winning, New York-based ensemble, REBEL (pronounced “Re-BEL”) is one of North America’s top-tier ensembles specializing in 17th- & 18th-century repertoire performed on period instruments. Named after the innovative French Baroque composer Jean-Féry Rebel (1666-1747), REBEL was formed in The Netherlands in 1991; that same year the ensemble took first prize in the International Van Wassenaer Competition in Utrecht, succeeded by their sensational début on the world stage at the Holland Festival Oude Muziek and their critically-acclaimed American début in New York City in 1992. Since then the ensemble has garnered an impressive international reputation, enchanting diverse audiences with their unique style and their virtuosic, highly expressive and provocative approach to baroque and classical repertoire. The core formation of two violins, recorder/traverso, cello/viola da gamba and harpsichord/organ/fortepiano expands in a variety of formations with additional strings, winds, brass, theorbo and vocalists, as needed.

REBEL, through its long-term residency from 1997-2009 at historic Trinity Church, Wall Street in New York City, achieved high acclaim for its collaborations with Trinity Choir in performance, radio broadcasts, webcasts and recordings with works ranging from the cantatas of Bach to large scale works by Monteverdi, Handel, Bach, Purcell, Mozart and Haydn. An 8-CD set of the complete masses of Haydn was released in 2009 on the Naxos label. The REBEL Baroque Orchestra first gained worldwide recognition for its acclaimed performance of Mozart’s Requiem with Trinity Choir under the direction of Dr. Owen Burdick, broadcast nationally over National Public Radio in September 2001, and for its subsequent annual performances of Handel’s Messiah and the choral works of Haydn, which were broadcast live over WQXR-FM in New York City and internationally over the internet. Currently the RBO enjoys collaborations with various choirs including the Westchester Oratorio Society and the Central City Chorus in New York City.

REBEL has performed at prestigious festivals and venues in Europe, including the Holland Festival Oude Muziek, Tage Alter Musik Berlin, the Konzerthaus (Vienna), La Chapelle Royale (Versailles), Internationale Festtage für Alte Musik Stuttgart, Tage Alter Musik Regensburg, Les Luminères Festival (Helsinki), the Händel Festspiele Halle and the Göttingen- Handel Festival in Germany, amongst others. In the U.S., REBEL has been presented in thirty-eight states at distinguished venues including the Da Camera Society (Los Angeles), the Schubert Club (St. Paul), Friends of Music (Kansas City), Spivey Hall (Atlanta), Clarice Smith Performing Arts Center (College Park, MD), Library of Congress (Washington, D.C.), Caramoor (Katonah, NY) Chautauqua Institution, Stanford Lively Arts, University of Chicago Presents, Market Square Concerts (Harrisburg, PA), the Isabella Stewart Gardner Museum (Boston), the Cleveland Museum of Art, the early music festivals of Boston and Berkeley and Music Before 1800 in New York City.
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REBEL has collaborated with renowned vocalists Max von Egmond, Derek Lee Ragin, Suzie Le Blanc, Daniel Taylor, Marta Almajano, Peter Kooy, Barbara Schlick, Yulia Van Doren and Rufus Müller; in 2005 REBEL gave its Carnegie Hall début with Renée Fleming at Carnegie Hall to high acclaim. The ensemble has recorded for all the major European national radio networks and has been showcased in performance and interview on BBC’s Radio 3. Arguably the most aired American baroque ensemble in the U.S. today, REBEL is regularly featured on the nationally syndicated shows Performance Today and Sunday Baroque, and has appeared several times on Minnesota Public Radio’s St. Paul Sunday. REBEL remains the only period instrument ensemble ever to have been awarded an artists residency at National Public Radio. REBEL has recorded over twenty discs and can be heard on Deutsche Harmonia Mundi, Naxos, ATMA, Hänssler Classic, Dorian, Sono Luminus and Bridge Records.

Since 2013 the ensemble has been in residence at the venerable Downtown Music at Grace series in White Plains, N.Y. and maintains a self-produced concert series in Bedford, NY, now entering its eighteenth season. Their latest CD, ‘Johann Gottlieb Goldberg: Beyond the Variations’ was released on Bridge Records in November 2016.

Pacifica Quartet

Join us on Sunday, April 23, 2017

A perfect blend of sound, precision, lightness and wit. These are the hallmarks of Calmus, now one of the most successful vocal groups in Germany. The ensemble has forged a refined sound which few groups achieve. The wide range of sound colors, the joy in performing that musicians convey on the concert platform, and their varied and imaginative programs are praised by the press time and time again. These five Leipzig musicians have won a whole string of international prizes and competitions, including the ECHO Klassik and Supersonic Award, and the reach of their activities is constantly expanding, taking them throughout Europe as well as to North and South America. In 2010 the quintet made its debut at Carnegie Hall, New York.

The musicians are tireless in their quest to discover new repertoire. Shaped by the centuries-old tradition of great German boys’ choirs, they are naturally at home in the vocal music of the Renaissance, the Baroque and the Romantic. The music of our own time is also a real passion. In all their ventures, there are frequently interesting partnerships with musicians such as the Lautten Compagney Berlin, the Raschèr Saxophone Quartet, Hamburger Ratsmusik and the Frankfurt Radio Bigband. As this often means totally new repertoire in the area of contemporary music, over the years Calmus has commissioned numerous new works from composers including Bernd Franke, Steffen Schleiermacher, Wolfram Buchenberg, Mathew Rosenblum, Bill Dobbins, Michael Denhoff and Harald Banter, and the group has given many world premieres. It goes without saying that they revel in singing pop, folk and jazz, as well as chansons and golden oldies from the 1920s.

Part of their work is devoted to encouraging the up-and-coming generation, so teaching and workshops are part of their regular schedule, both at home in Leipzig and on their travels. It’s no wonder that Calmus, with its unique line-up of soprano, countertenor, tenor, baritone and bass, is gaining more and more fans worldwide.