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Apollo’s Fire Outreach Event

Apollo’s Fire Outreach at The Towers on October 7, 2019

On October 7, rejuvenated by one of the first cool mornings of our south Texas autumn, residents of The Towers enjoyed a delightful private concert of baroque violin and traverso music. Violinist Olivier Brault and traverso (wooden flute) player Kathie Stewart delivered an intimate performance under the beautiful vaulted skylight in The Towers lobby.  We watched puffy white clouds go by while listening to music of Telemann and Bach. Both musicians explained how their instruments came to be developed and how they differ from their modern-day descendants. Each musician performed a solo work displaying characteristics of the baroque period specific to their instrument. They followed up by playing several movements from a Telemann duet.

Olivier appears to be living stylishly with one foot in an earlier century.  He sports a long ponytail tied with a black ribbon and Benjamin Franklin style glasses. He also wore an old-fashioned vest accented with a gold watch chain dangling from the pocket.  He is the very embodiment of a baroque musician!

We are pleased to be able to present Outreach Events around our community. If you would like to support this activity, please consider making a gift to the Mandel Outreach Perpetual Trust.  

Submitted by Allyson Dawkins

An audience set ablaze with amazing music!

Apollo’s Fire sent us over the moon! Thank you, Mike Greenberg, for putting into word all our thoughts and feelings from last Sunday’s concert!

Dance to the music, and vice versa

By Mike Greenberg – Incident Light publish date October 8, 2019

Searching for a word to convey the distinctive character of the baroque orchestra Apollo’s Fire and its artistic director, Jeannette Sorrell, I settled on “presence” – the quality of fully inhabiting the present time, the present place, the present action, even the present body.

Listen to Barry Brake’s interview with Jeannette Sorrell of Apollo’s Fire

“Classical Connections”, October 2, 2019, KPAC 88.3FM.

Interview with Jeannette Sorrell of Apollo's Fire

by Classical Connection | Host Barry Brake

Apollo’s Fire

Apollo’s Fire

October 6th, 2019

“…reviving the baroque ideal…”

“Apollo’s Fire has forged a vibrant, life-affirming approach to the re-making of early music…
European ears have begun to appreciate the blend of intellect and artistry concocted by harpsichordist Sorrell and her colleagues. Their seductive vision of musical authenticity is guided by a shared commitment to honest emotional expression, rooted in period style yet never its slave.” BBC Music Magazine

“Apollo’s Fire, the lauded group from Cleveland, brings joyous spontaneity to its performances.”  The New Yorker 

“Never again even think that ‘classical music’ is boring. Never – if it’s done as well as Apollo’s Fire does it.” COOLCLEVELAND.COM

Named for the classical god of music, healing and the sun, Apollo’s Fire is a GRAMMY®-winning ensemble. The period-instrument orchestra was founded by award-winning harpsichordist and conductor Jeannette Sorrell, and is dedicated to the baroque ideal that music should evoke the various Affekts or passions in the listeners. Apollo’s Fire is a collection of creative artists who share Sorrell’s passion for drama and rhetoric.

Hailed as “one of the pre-eminent period-instrument ensembles” (The Independent, London), Apollo’s Fire has performed five European tours, with sold-out concerts at the BBC Proms in London (with live broadcast across Europe), the Aldeburgh Festival (UK), Madrid’s Royal Theatre, Bordeaux’s Grand Théàtre de l’Opéra, and major venues in Lisbon, Metz (France), and Bregenz (Austria); as well as concerts at the Irish National Concert Hall (Dublin), the Irish National Opera House (Wexford), the Birmingham International Series (UK), the Tuscan Landscapes Festival (Italy), and Belfast Castle with a live broadcast carried by the Associated Press of Europe.

AF’s London 2014 concert was praised as “an evening of superlative music-making… the group combines European stylishness with American entrepreneurialism” (THE TELEGRAPH, UK). This concert was chosen by the TELEGRAPH as one of the “Best 5 Classical Concerts of 2014.”

North American tour engagements include sold-out concerts at Carnegie Hall (2018), the Tanglewood Festival (2015 and 2017), the Ravinia Festival (2017 and 2018), the Metropolitan Museum of Art in NY (2013, 2014, and 2015), the Boston Early Music Festival series, and the Library of Congress, as well as concerts at the Aspen Music Festival, Caramoor Festival, and major venues in Toronto, Los Angeles and San Francisco. The ensemble has performed two major U.S. tours of the Monteverdi Vespers (2010 and 2014) and a 9-concert tour of the Brandenburg Concertos in 2013.

At home in Cleveland, Apollo’s Fire frequently enjoys sold-out performances at its subscription series, which has drawn national attention for creative programming.

Program

VIVALDI: The Four Seasons – Rediscovered

Members

Apollo’s Fire Baroque Orchestra

Venue

Temple Beth-El
Address: 211 Belknap Place
Time: 3:15 PM

“First rate… rendered with consummate skill and artistry…”

- New York Times

“Electrified and sparkling. If this concert didn’t shake your rafters, then nothing will.”

- Sarasota Herald Tribune

Season 77th: A Constellation of Stars

Come and be dazzled and catch some stardust!

Take a look at our stellar line up below and buy your season tickets now!

Apollo’s Fire

October 6, 2019

Named for the classical god of music, healing, and the sun, APOLLO’S FIRE is the international baroque orchestra based in Cleveland, Ohio. The GRAMMY–winning ensemble was founded by harpsichordist and conductor Jeannette Sorrell, to revive the baroque ideal that music should evoke the various Affekts or passions in the listener. Apollo’s Fire is hailed as “one of the pre–eminent period–instrument ensembles” (The Independent, London). It is renowned for its creative programming,  artistic spontaneity and technical excellence.

Ariel String Quartet with
Ilya Shterenberg

November 10, 2019

Distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, the Ariel Quartet has garnered critical praise worldwide over the span of nearly two decades.  Formed in Israel in 2000 when they were still teenagers, the Ariel Quartet went on to win the Grand Prize and Gold Medal at the 2006 Fischoff  National Chamber Music Competition, as well as the prestigious Cleveland Quartet Award in 2013. Joining them in this concert is their long-time friend Ilya Shterenberg – Principal Clarinetist of the San Antonio Symphony, who has been hailed by the press: “He possesses that miraculous gift of an innate musical sense…music seemed to flow toward the infinite, as if divinely ordained”.

Akropolis Reed Quintet

January 26, 2020

Now celebrating their 10th anniversary, the Akropolis Reed Quintet was founded in 2009 at the University of Michigan and is the first reed quintet in history to win a Fischoff Gold Medal (2014) as well as the Fischoff Educator Award. They were also awarded the Grand Prize at the Plowman and MTNA national competitions, and 6 national chamber music prizes in total. Hailed by Fanfare Magazine for their “imagination, infallible musicality, and huge vitality,” the San Francisco Chronicle dubbed Akropolis’ recent third album release, The Space Between Us, “pure gold.”

VOCES8

March 1, 2020

The inimitable British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. Touring globally, the group performs an extensive repertory both in its a cappella concerts and in collaborations with leading orchestras, conductors and soloists. Versatility and a celebration of diverse musical expression are central to the ensemble’s performance and education ethos. “The singing of VOCES8 is impeccable in its quality of tone and balance. They bring a new dimension to the word ‘ensemble’ with meticulous timing and tuning.” (Gramophone)

Parker String Quartet

April 26, 2020

Inspiring performances, luminous sound, and exceptional musicianship are the hallmarks of the Grammy Award-winning Parker String Quartet. Renowned for its dynamic interpretations and polished, expansive colors, the group has rapidly distinguished itself as one of the preeminent ensembles of its generation. “..something extraordinary” (New York Times) “..exceptional virtuosity [and] imaginative interpretation” (The Washington Post).

Get Your Season Subscription Today!!!

A complete Season is only $100 (Seniors $75) and includes a Bonus Ticket for a friend! Plus: any ticket may be used for any concert of your choice! This is the best deal in town!

Leonardo the Music Lover

If you look, you can find thought-provoking ideas everywhere.  For example, the May 2019 issue of National Geographic which has a sketch of Leonardo da Vinci on the cover has this little gem in Claudia Kalb’s article on the great master:

“Leonardo ranked music as second only to painting, higher even than sculpture, describing it as ‘figurazione delle cose invisibili,’ the shaping of the invisible.”   Claudia Kalb, National Geographic, May 2019, pg. 92.

This quotation spoke to me.  Isn’t that just what great music does?  Regardless of the genre?  Doesn’t music that speaks to your heart, your mind, your very soul perform its magic by putting something that perhaps you haven’t really formulated into words into melody and harmony?  Don’t those lines of music, that particular harmony go to a place within and find there its corresponding chord?  And that, my friends, is the reason we leave our everyday lives to witness and enjoy that unique pleasure that is music.

Take a minute to join me in a little meditation on how music works on us.   First, perhaps, is association.  There is a song performed by the blind tenor, Andrea Boticelli, that from its opening bars brings to mind a remarkable memory of a dear person who has passed away.  I always associate that song with him and it always goes straight to my heart.  Then there’s memory:  sometimes I hear a passage of music that I can’t quite place until I realize that it’s something I learned to play on the piano when I was a child.  And of course, there’s just pleasure with no apparent connection to our memories.  Sometimes I hear something for the first time and it’s just so pleasurable that I smile and make a mental note to try to find a recording.  Music has the power to conjure, just as Leonardo said.  Conjure what?  Colors, scenes, places, desires, ceremonies; I would love to know what it conjured for Leonardo, wouldn’t you?

Music has the power to conjure, just as Leonardo said.  Conjure what?  Colors, scenes, places, desires, ceremonies; I would love to know what it conjured for Leonardo, wouldn’t you?

Music is also a pathway to understanding.  You might never have thought about or really understood the horror that was Stalin, but when you hear Shostokovich’s Symphony No. 9, you will understand not only the courage of the composer but also the terror he endured.  If you want to understand and even visualize the 18th Century world of Vivaldi, you must listen to his music.  Think about the court of Versailles: the rustle of satin, the scent of pomanders, the elaborate wigs – and the music of Jean-Baptiste Lully, the composer who, along with Moliére, created the Comédie ballet.  Too exotic?  How about understanding the 1960’s?  Can’t be done without the music of the Beatles.

I hope this just-ended five-concert SACMS season struck that corresponding chord in you.  And I invite you to join us for our 2019-2020 season which begins October 6th, 2019, with Apollo’s Fire.  Come enrich your musical vocabulary, strike your memory chords, stir your heart.

Happy summer to all our friends!

– E Doyle

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