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This will come as a shock to you, but brace yourself.  I think Dawn Upshaw cheats!  She makes the incredibly complicated seem effortless, the atonal sound melodic and the enormous range of her voice seem expected, controlled and crystalline.  Now you tell me:  how does anyone do that?  Maybe she is super-human; I don’t know, but I do know quality and perfection when I hear it, and I heard it Sunday at the first concert of the San Antonio Chamber Music Society’s 2018-19 season.

Of course, it helps to share a program with the Brentano String Quartet.  These masterful musicians performed – among other selections – a work by one of my personal favorites, Franz Josef Haydn.  The thing about Haydn is that his music in the wrong hands can sound tinkly (is that a word?) and tinny and metronomic.  I should know.  When I was but seven, I was already destined to be a concert pianist, and what do aspiring concert pianists perform (to the beat of a metronome, of course)?  Haydn, that’s what.  But as time went on and my piano career came to a screeching halt in high school, I came to understand and appreciate the works of Haydn.  And I have often thought, as I did Sunday, that if Haydn himself could have listened to the Brentano performing his work, taking full measure of the imagination, the humor inherent in his String Quartet in C, he would smile.  In fact, he would clap his hands in glee as the Brentano brought this beautiful composition to life once again.

…so I adjusted my inner ear and resolved to understand and enjoy… I never thought I would have goosebumps! …the quality of the performance made it irresistible!

Something else I would like to ponder:  the Respighi composition.  Respighi is well known for his tone poems; he brings such wonderful sights to mind as the listener enjoys the range of his music.  Il tramonto (The Sunset) as performed by the Brentano and Dawn Upshaw was a vision of the majesty of a sunset, captured forever in this composition.

And now for the Schoenberg.  I wasn’t too sure I would enjoy this composition as I am not an ardent admirer of the composer.  I’d have to say I’m kind of hot and cold on his work; it’s a mindset, I guess, and also what you bring to it.  Well, I brought an admiration for the performers, so I adjusted my inner ear and resolved to understand and enjoy.  I never thought I would have goosebumps!   Shoenberg and thrills just don’t go together for me in the usual course of events, but the quality of the performance made it irresistible.  So goosebumps it is.

When you have the pleasure of hearing musicians such as the Brentano and Ms Upshaw, you know you have witnessed something really extraordinary.  And I know with equal certainty that the remaining concerts in the SACMS season will also be extraordinary.  Circle November 11 for the next music extravaganza, the American String Quartet with Tom Sleigh and Phil Klay.  Here come the goosebumps!

– E Doyle

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